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Hardly any control over selecting blocks of text in preview mode. Looks like change of name in Paragraph style means as much as deleting that style. We will be adding our own reports over the coming weeks (see below). It is somehow consoling to see those thousands of minor and major problems scroll by. With the newest version, the next project might be a lot easier to acomplish I hope.ĭownload available at ]]>Scribus Bug ReportingSun, 17:00:04 +0000 designing a book, or doing anything more 'subtle' would be possible.

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Of course, using software seriously for the first time is a disorienting experience in itself, but in this case the application responded in such unexpected ways that it left me sort of hopeless about the possibility that lets say. Working in programming languages, new media theory, and typographic design software, John strives for a balance between the practical, the aesthetic, and the boundary-breaking.Īnd also: Alexandre Leray, Pierre Marchand, Stéphanie Vilayphiou, Seb Sanfilippo. Graphic designer and artist based in Brussels, developing projects at the intersection of design, feminism and free software. His new zine is called ``print soapbox''. Interested in programmatic print, and niche publishing. Studied at the Piet Zwart Institute Media programme. Till the day that she knocked at the door of OSP. Shuttled between graphic design and non graphic design after studying in The Central Academy of Art & Design (Beijing) and a short stay at ENSAV La Cambre (Brussels). Uses Linux since 1998 and makes publishing- and distribution systems for collaborative work. Systems- and software developer from Brussels, currently living in Barcelona, with a long interest in the politics and practice of software. Is part of the Speculoos team, studied typography at the École Estienne in Paris Along participating in OSP, he articulate residential spaces and narratives through the artists temporary alliance Potential Estate and develop collaborative and subjective mapping with Towards and others Brussels urban projects.Ĭrashed into Open Source on board of an OSP truck on the way to Poland.

Pierre is interested in using free sofware to re-learn to work in other ways and collaboratively on cartography, type design, web interface, schematic illustration, book design and teaching these practices. By now his practice runs on F/LOSS entirely.Įxploring several practices around graphic design, he currently drives the studio Speculoos. Started to use as much Open Source software as possible on his Macintosh as part of a research project The Tomorrow Book at the Jan van Eyck Academy in Maastricht. Graphic designer and teacher based in Brussels. Interview: You need to copy to understand

Why OSP thinks fonts should be free software In fact, we are interested in experimenting with everything that shows up in the cracks.

We do not expect to find (or offer!) the same experience as the ones we are used to.

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Since 2006, we investigate the potential of F/LOSS in a professional design environment.

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Download raw (1.0 MB) AboutFri, 16:13:54 +0000Constant, OSP aims to test the possibilities and realities of doing design, illustration, cartography and typography using a range of F/LOSS tools.

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